Reviewed · HANDICRAFT VILLAGE TOURS
Bat trang Pottery Ceramics Class in Hanoi’s Old Quarter | VN
Pottery in Hanoi feels surprisingly doable. I like this class because it uses an electric pottery wheel with step-by-step help from Bat Trang artisans, right in the Old Quarter at 115 Hàng Gai. You can experiment, make plenty of attempts, and pick the pieces you want to finish.
The main catch is simple: you can make as much as you want, but the studio includes only one piece for full firing and glazing, and firing takes 2 to 3 days.
In This Review
- Quick hits before you go
- Where the class happens: 115 Hàng Gai in Hanoi’s Old Quarter
- Electric wheel teaching that makes beginners comfortable
- Your 3-hour flow: making, correcting, and choosing your glaze
- What you take home: one free fired and glazed piece, plus optional extras
- Bat Trang ceramics, explained in a way that feels practical
- Price and value for $33, and how to decide on extra pieces
- Who this class suits best, and the small annoyances to know
- Should you book Bat Trang Pottery in the Old Quarter?
- FAQ
- Where is the Bat Trang pottery class located?
- How long is the pottery class?
- Are there morning and afternoon sessions?
- Is the class beginner-friendly?
- What language will the instructor speak?
- What is included in the $33 price?
- Can I make more than one piece?
- How long does it take to get fired and glazed pieces back?
- What if I do not have 2 to 3 days in Hanoi?
Quick hits before you go

- 115 Hàng Gai, Hoàn Kiếm, so you can pair it with Old Quarter wandering before or after.
- An electric pottery wheel makes throwing clay less intimidating for first-timers.
- You get to make as many pieces as you want during the 3-hour session.
- One finished souvenir is included, while extra pieces cost extra for firing and glazing.
- Plan for 2 to 3 days to get your glazed items back, with options if your trip is shorter.
Where the class happens: 115 Hàng Gai in Hanoi’s Old Quarter

This workshop is in the center of the Old Quarter, at 115 Hàng Gai, Hoàn Kiếm. That matters because you are not spending half a day commuting. It is easy to slot the class into a Hanoi day that also includes cafés, temples, and late-afternoon street life.
The shop area is part of the experience. Bat Trang is known for its finished ceramics, and you can browse while you wait to get started or while you decide on glazes. One review also mentioned miscommunication about firing time during Tết, but the studio resolved it and people still found a workable solution. That tells me the staff pays attention when schedules get disrupted.
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Electric wheel teaching that makes beginners comfortable

The class is built for people with no pottery background. The studio explicitly says no experience is required, and the structure supports that claim. You learn basics, then you practice, with an instructor on hand in English or Vietnamese.
On an electric pottery wheel, the clay starts and stays moving at a consistent speed. That reduces the coordination pressure you would normally feel with a manual wheel. You can focus on hand placement and shaping instead of wrestling the machine.
You also get real coaching. Many reviews praised patience and technical help, including guidance from instructors named Hang and Tuan Vu. In one class, the experience even felt close to 1-to-1 help for groups around a dozen people, because the studio added an extra instructor for the afternoon slot. If you want to learn fast, that kind of attention is a big deal.
Possible drawback: seating. One review noted the chair can feel small for long sessions, and you sit for about 3 hours. If you have back or comfort concerns, it is worth mentally preparing for that.
Your 3-hour flow: making, correcting, and choosing your glaze

Your class runs for 3 hours, with two time windows: 8:30 to 11:30 or 14:00 to 17:00. You do not just watch. You throw clay on the wheel, adjust your technique, and try again when something goes off.
Here is the practical rhythm you can expect:
First, you get a quick foundation in Bat Trang ceramics and the basics of how pottery works. Bat Trang is a village craft, and the class connects you to that by explaining what makes pieces strong and how shapes should be handled during making.
Then comes the hands-on part. You practice making different forms such as bowls, cups, plates, and vases. A lot of reviews mention the teachers help students correct mistakes, not just during setup but right when your piece starts to wobble or collapse. That is why beginners can leave with usable results.
You also get color guidance. The class includes learning and practicing with color selection so you are not choosing blind at the end. You will pick which item goes through the full firing and glazing process.
After you shape pieces, you will have some waiting time as your items set up. The included cooling room with fan is a helpful detail because it supports the drying process before your pieces are handled for firing. Even if you make several items, you are still working within a real studio process, not a souvenir factory line.
One useful heads-up from a review: pieces can shrink about 20 percent after firing. That means if you make a large dinner plate-looking form, it may come out smaller in the final. If you care about exact size, aim slightly bigger during throwing.
What you take home: one free fired and glazed piece, plus optional extras
The price is $33 per person, and the inclusions are what make it good value. You get the electric wheel and materials, an English or Vietnamese speaking instructor, and time to make multiple pieces. Most importantly, you get 1 free product to glaze and fire and take home.
Extra pieces are possible. Several reviews mention paying a small additional amount per extra fired and glazed item. One person estimated about $5 per additional piece for firing and glazing, and another mentioned shipping costs separately if they sent items home later. Because pricing can change, confirm the current per-piece add-on fee on site.
Firing and glazing take time. The studio warns that beautiful glazes require 2 to 3 days. That is not a dealbreaker, but it changes your planning. If you book this on the first day of your Hanoi trip, you give yourself the best chance to pick up everything comfortably.
If you do not have 2 to 3 days, there are options. The studio says they can fire with white glaze only in 1 to 2 days. They can also offer alternatives such as free items in the shop, or ship your pieces later (shipping fee not included). So if you are short on time, you still have choices, but you may sacrifice full glaze variety.
Shipping also comes up in real-world experiences. One review said they shipped pieces to a later destination in Vietnam, and another mentioned posting items when they could not wait around. If you are traveling with limited luggage space, this is worth asking about during your class.
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Bat Trang ceramics, explained in a way that feels practical

Bat Trang ceramics are handmade and hand-painted, and that is part of why this workshop feels more grounded than a generic craft stop. The class ties you to the craft tradition by teaching the history and basics of Bat Trang pottery and then translating that into what you do at the wheel.
You are not just buying something pretty. You are learning how a clay object becomes stable enough to survive firing, and how glaze choices change the final look. Even if you are not a pottery person, that technical context makes the finished result feel earned.
One detail that also comes through in reviews: instructors explain the structural logic. A review praised the way Hang explained technique and why steps help with structural integrity. That kind of explanation is exactly what turns a fun activity into an actually memorable skill-building moment.
If your goal is a meaningful souvenir, this format helps. You can create multiple attempts, then select your favorites for the final process. That selection step also forces you to think about shape and form instead of rushing to finish one token piece.
Price and value for $33, and how to decide on extra pieces

For $33, you are paying for three things: studio time, instruction, and production support. The electric wheel and materials are included, and the biggest value is that one piece gets glazed and fired for you. That is the part most people cannot do themselves safely at home.
The unlimited-making angle changes the economics for artists. You can experiment with bowls, cups, and plates, then keep the ones you like most. That reduces decision stress. It also means you are not locked into a single attempt.
Where the math shifts is if you want many finished pieces. You can make a lot during the session, but extra items cost extra to fire and glaze. A review also mentioned shipping costs around $30 to the US, so for international travelers, the total could rise if you want several items delivered.
My practical advice: decide your souvenir strategy before you finish shaping. If you are only buying one final piece, pick your strongest form and glaze it with confidence. If you plan to buy multiple finished items, ask the instructor early about how many you can realistically complete and whether timing affects glaze options.
Who this class suits best, and the small annoyances to know

This workshop fits best for people who want a hands-on cultural activity without needing artistic talent. Reviews repeatedly praised teachers as patient and skilled, and many mentioned enjoying the class even with mistakes. If you want a creative break from Hanoi walking and street food, this is a strong option.
It also works well for couples and families. One review described doing it with a 10-year-old son and feeling like the instructor guided him confidently. Another mentioned a group of eight including children.
Consider these small realities:
- You may sit in smaller chairs for the full session, based on a review.
- Your results may not match your initial idea because clay behavior is clay behavior.
- Your pieces shrink after firing, so size planning matters.
- You need time in your schedule to collect or receive finished ceramics after firing.
Should you book Bat Trang Pottery in the Old Quarter?

I think you should book it if you want a creative Hanoi experience with real instruction, the comfort of an electric wheel, and the ability to make multiple pieces in a short session. The value is strongest when you understand the timing, especially the 2 to 3 day firing and glazing window.
Skip it or choose another option if you are leaving Hanoi immediately and cannot manage the pickup or shipping options, or if you know you only want one tiny souvenir and would rather spend less time in a workshop setting. Also, if back comfort is a priority, prepare for a potentially tight chair situation.
If you book, book early in your trip. That gives you time for firing, glaze drying, and any surprises like Tết schedule disruptions that can affect kiln timing.
FAQ

Where is the Bat Trang pottery class located?
It meets at 115 Hàng Gai, Hoàn Kiếm, Hanoi in the Old Quarter.
How long is the pottery class?
The class duration is 3 hours.
Are there morning and afternoon sessions?
Yes. Morning is 8:30 to 11:30, and afternoon is 14:00 to 17:00.
Is the class beginner-friendly?
Yes. The workshop is designed for people with no experience, and it includes step-by-step guidance from an instructor.
What language will the instructor speak?
The instructor speaks English and Vietnamese.
What is included in the $33 price?
The price includes the electric pottery wheel and materials, instruction, and time to make as many pieces as you want, plus 1 free product to glaze and fire.
Can I make more than one piece?
Yes. You can make as many pieces as you want during the 3 hours, but only one piece is included for free glazing and firing.
How long does it take to get fired and glazed pieces back?
Firing and glazing takes 2 to 3 days.
What if I do not have 2 to 3 days in Hanoi?
The studio says they can fire with white glaze only in 1 to 2 days. They may also offer free items in the shop, or they can ship your pieces later (shipping fee is not included).
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